![]() ![]() These two great literary categories are fiction and nonfiction. Indeed, literature encompasses two great categories in which every artistic work may identify itself with. INTRODUCTION The field of literature is so vague and complex that things fall apart explicitly as well as implicitly like in the postmodern perspective. She apparently held this option to be the only available one through which to insinuate herself within the canonical traditions specific to music, as distinct from those of literature. Their published writings and personal documents suggest that Smyth actively appealed to the very autobiographical strategies that Woolf persistently counselled her to subvert, in order to compete with the (heterosexual) patriarchy on equal terms. Woolf’s encouragement and criticism of Smyth’s literary endeavours are examined in the context of her biographical theories and feminist critiques, and of the lesbian proclivities of both women. While the egotistical Smyth candidly recounted stories relating to herself, Woolf excised overt authorial presence from her texts, instead invoking fictitious, protean narrators to reflect the collective unconsciousness of Womanhood. This article compares the different strategies by which the two artists strove to tell the truth about their experiences as women, and considers the corresponding implications for Smyth’s musical output. As professionals who encountered first-hand the invidious barriers within patriarchal society that hindered career women, Ethel Smyth and Virginia Woolf both used their published writings to pursue lifelong crusades against the under-representation of females in their respective disciplines. ![]()
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